The Cribs have made a name for themselves by constantly releasing new albums and touring heavily for the past decade. Yet how did they go under my radar for so long? Luckily the well timed release of their most recent album In the Belly of the Brazen Bull coincided with my recent fascination with everything British. This release has almost everything I am looking for in an album. The loud start provided by the lead track “Glitters Like Gold” then diving right into my favorite single off the album “Come On, Be a No One” gets the tempo up and the blood flowing. “Glitters like Gold” deserves praise in the sense that it gives you a nice layout of what to expect from the album, catchy melodies that are not too fine tuned, loud guitars with feedback and a little rawness that might turn some off, but anyone who can appreciate early Weezer will find something in this album for them. Track 6 “Uptight” might be the best comparison for this.
What really strikes me about this album is how bold the band seems to be moving from one theme to another. As I mentioned, the opening couple of tracks have college pool hall anthem written all over them and at the halfway point of the album we hit the climax with “Chi-Town,” a song that is also bound to be released as another single and to gain a certain level of celebrity in Chicago for obvious reasons. Moving past this point we enter the second half of the record which seems to be the heart and soul of the album’s message. Songs like “Back to the Bolthole” and “I Should Have Helped” utilize a lo-fi sound to provide overtones of ’80′s mix tape heartbreak.
The last four tracks are strung together using a reoccurring military snare march, an explosive sendoff that sounds as big as you would hope it to be played live. Starting with the chaotic “Stalagmites” we move quickly through the short “Like a Gift Giver” which sets up for the catchy upbeat “Butterflies” bound to be the most underrated track on this album. The album finishes with “Arena Rock Encore with Full Cast” which uses soaring gang vocals and heavy rock riffs to counter the airy track of “Butterflies” and leaving you with a still bobbing head.














